Despite my best efforts, I haven’t been able to entirely ignore current events. Some of the news headlines recently have been very triggering. We lived through all this stuff in the ’80’s and ’90’s, and recent events keep bringing it back.
I am glad to no longer be living in any of the conservative Muslim communities that I was involved in or had dealings with, because I remember all too well how they used to deal with these sorts of international events: Incendiary, polarizing, us (Muslims… and therefore always in the right) versus them (kuffaar… and therefore evil) rhetoric from the minbar. Protests. Incessant calls to boycott X, Y and Z companies and products. Fundraising dinners, allegedly for refugees and orphans produced by the conflict—though in those days there was often little financial accountability, so who knew where the money really went. Guest speakers at Islamic conferences and other gatherings who talked about their experiences with the conflict (and collected donations, allegedly for relief work). And of course, the duas at Friday Prayers for “the mujahideen in X, Y, Z… wa fi kulli makaan!” (You could usually tell what the imam’s sectarian and political leanings were by which “mujahideen” he would or wouldn’t pray for in those duas.) And at times of particular crisis, imams would recite the Qunoot an-naazila. Even back in my most koolaid drinking days, that prayer deeply disturbed me. Invoking God’s curse on people? Really?? What an absolutely horrible thing to do. But it was justified because it is supposedly the sunna.
On a road trip with an old friend of mine—another formerly conservative convert—we were listening to the radio as we were driving along. And, lo and behold, the issue of the day that the radio host was discussing with several invited guests was the burning question of… (drum roll…) whether or not “we still need feminism.” As soon as he announced the topic, my eyes started rolling. I guess that’s part of getting old—because as far back as I can remember the media has been dredging up this non-issue at least every few years, with wearying regularity. And these discussions never seem to resolve anything.
This particular discussion was no exception. One of the guests was a rightwing woman who spent most of the time repeating well-worn Tea Party-ish talking points: Yes, feminism sort of did a bit of good for women way waaaay back in the day, by getting women the right to own property and attend universities and vote… but then it went right off the rails, because it turned into a movement that is all about putting men down and demonizing them, while trying to make women superior instead of equal. Feminism (she said) denies the innate differences between men and women, and promotes women neglecting their husbands and children, while stigmatizing women who want to stay home instead of having a career. Women are weaker than men, and women should celebrate and embrace this rather than deny it. Oh, and feminism is also bad because it promotes abortions.
Ramadan. The moon shining outside my window seems to mock me, saying: Ramadan will soon be gone, and what have you done? How many days have you fasted so far? How many rak’ats have you prayed, how many juz of the Quran have you read, how many iftars have you hosted or attended, how many times have you managed to pray tarawih? How many fard and sunna acts have you not performed—and in this blessed month, when every good act is rewarded more than at any other time of year? How many blessings are you missing the chance to gain? And if you’re not part of this mad rush for blessings, are you really part of this umma?
And I don’t know what to say, except—this is a big part of the problem. Yes, this kind of attitude has an awful lot to do with why so many things connected with Muslim belief and practice trigger me today. Why I’m basically burned out.
For those of us with war-related ptsd, this time of year in North America can be particularly triggering, due to parades including uniformed soldiers, artillery salutes, fireworks and other similar things.
There’s nothing quite like calmly walking down the street on a holiday afternoon, enjoying the sunshine… until you hear artillery, and even though you rationally know that no real shells are being used and nobody is dying you start to shake, and every ounce of your strength becomes focused on keeping yourself together and getting away from that sound as fast as is humanly possible.
Or like standing in a crowd of happy people ooh-ing and ah-ing over a spectacular display of fireworks, aware that you alone are unwillingly cringing at every boom and being reminded of aerial bombardments and you desperately want to be anywhere but here.
Trying to “ground oneself,” to remember that “that was then, this is now” and that this is just a patriotic holiday celebration and nobody is getting hurt. Trying, and not really succeeding. And feeling very, very alone in that sea of evidently happy people. They can enter into the holiday spirit. But although I can usually seem outwardly composed, inwardly, I am a haunted house. I never know when the ghosts will reappear. Sometimes I’m almost sort of ok with fireworks and I think that I’m well on my way to overcoming this problem… and then I find that I’m not.
Back in the day, we were taught to recite certain verses from the Qur’an or masnun du’as when we were afraid or otherwise troubled, and it worked. But now, it usually makes things worse. So much of the violence that now haunts me was justified by men (and sometimes women) who quoted from those sacred texts and claimed authority due to their knowledge of them.
What I tend to find more helpful than the invocation of these texts is art that deconstructs their use as weapons in the hands of the powerful.
This particular series by Ala Ebtekar really helped when nothing else did. Not only was it wonderful to see a particular instance of religious wartime propaganda from the ’80’s represented and in the process unmasked for what it was, but it provides a glimpse of the possibility of a future in which these ghosts might be neutralized. Shorn of their ability to terrorize, and put to work in the service of artistic creativity instead.